0
Wherein I babble about comics and such
Posted by Slowplum
on
8/01/2008 04:19:00 PM
in
amusements,
bobbins,
comics,
ctrl alt del,
diesel sweeties,
happiness,
homestar runner,
penny arcade,
pvp,
questionable content,
random,
rant,
scary go round,
strongbad,
wapsi square
Every once in a while I ask myself why I bother to keep reading Scary Go Round, and then John Allison does something that makes me fall in love with it all over again.
I've loved his comics since Bobbins (which is totally worth reading over again, by the way. Who doesn't love spunky little Shelley?). Scary Go Round is really hit and miss with me, but it's worth sticking to in the long run.
What I really like is that Allison tends to reinvent himself; what I mean by this is, bit by bit he changes up how he produces the comic, so that visually the eye candy just gets sweeter. He isn't afraid to push himself, which I find is the mark of a good artist. The storyline sometimes falls flat, but you can hardly fault him for it - this is something he does in his spare time after all.
Look at Penny Arcade for an excellent example of artistic evolution - the Penny Arcade of yesteryear certainly doesn't look like the current version. However, even as the art changes up, they consistently remain funny, and very tuned in to the current pulse of gaming. I could go on for pages about how truly fantastic they are - Child's Play, anyone? - but it's all been done before, and in a much more eloquent than I could produce, I'm sure.
Jeph Jacques' Questionable Content is another example of reinvention, artistically speaking. The original characters look nothing like the current version. His plotlines have gone from random to a bit more cohesive, and he managed to shake the Tony-Angela (in his case Martin/Faye) sharkjump successfully, by not even going there.
One comic I've really grown to love as well is Wapsi Square by Paul Taylor. Initially, his comics were haphazard and without an actual plot, but over time he has told a pretty intriguing story, and I find I can't wait to see where he takes his characters next.
It is really interesting to me to see these artists emerge and find their groove. I am glad that once they find their mojo they stick to what works - this is a process that thanks to the internet we as an audience are privy to. In the world of print, we wouldn't necessarily see these changes - by the time a comic artist gets into syndication, they have already refined their characters et al.
However, if you look at Diesel Sweeties, you can see what artistic consistency looks like as well. R Stevens is fantastic, hits just the right tone, and has maintained the same aesthetic for his characters since day one. He did actually make it into syndication as well, breaking barriers between online and print comics without self-publication (what I mean by this is, he has been syndicated in actual newspapers, rather than for sale in printed anthologies sold by the artist).
I used to love PVP, and I can still tolerate it to a certain degree if I put my horse-blinders on to Scott Kurtz's insipid commentary and overall sense of self-righteous bullshit. On more than one occasion I have seen him rant about something that most human beings would think was a waste of breath, and then recant after getting called on it, ad nauseum, stating that "oh no I meant it this other way that is more acceptable to the masses". I'd offer up some examples but it would pain me to have to go through his archived news; also I'm pretty sure he's erased evidence of most of those kinds of posts anyway. One example that comes to mind was when he ranted about how horrible it was that dude who does Ctrl-Alt-Del was going to be charging his viewers for the cartoon version of his comic. And then a while later, Kurtz attempts the same damned thing! Now I'm not about to go and defend Tim Buckley tooth and nail, because from anything I've read the guy is a bit of a prat too, but really, Kurtz shouldn't be calling the kettle black here. I realize that he is a human being, like the rest of us, prone to mistakes and change his mind like the rest of us, but he still just sets my teeth on edge. There is nothing he can do to fix that, and I am not about to demand he fix it.
Beware: Here there be a million links!
That being said: I would be remiss if I didn't mention Homestar Runner, even though technically it isn't an online comic, it is still a site I visit that consistently brings on the funny, as well as reinvents itself over time. They actually poke fun at online webcomics in a Strong Bad Email. What I love is that while most people who watch and love it are addicted to Strong Bad & Co, I find the quiet perseverance of Homestar's hilarity is what draws me back time and again.
Strong Bad's emails are arguably the most popular feature of the site, most especially the one featuring Trogdor. (Even Strong Bad reinvents the way he answers email by continually "upgrading" his machines to similar older model computers and laptops and "newer" printers.)
The Burninator aside, I find that the funniest StrongBad Emails are the ones featuring Homestar Runner. I am also tickled by the sbemail spinoff, Teen Girl Squad. The origins of that would be found here.
Ok that's enough for now I think.
I've loved his comics since Bobbins (which is totally worth reading over again, by the way. Who doesn't love spunky little Shelley?). Scary Go Round is really hit and miss with me, but it's worth sticking to in the long run.
What I really like is that Allison tends to reinvent himself; what I mean by this is, bit by bit he changes up how he produces the comic, so that visually the eye candy just gets sweeter. He isn't afraid to push himself, which I find is the mark of a good artist. The storyline sometimes falls flat, but you can hardly fault him for it - this is something he does in his spare time after all.
Look at Penny Arcade for an excellent example of artistic evolution - the Penny Arcade of yesteryear certainly doesn't look like the current version. However, even as the art changes up, they consistently remain funny, and very tuned in to the current pulse of gaming. I could go on for pages about how truly fantastic they are - Child's Play, anyone? - but it's all been done before, and in a much more eloquent than I could produce, I'm sure.
Jeph Jacques' Questionable Content is another example of reinvention, artistically speaking. The original characters look nothing like the current version. His plotlines have gone from random to a bit more cohesive, and he managed to shake the Tony-Angela (in his case Martin/Faye) sharkjump successfully, by not even going there.
One comic I've really grown to love as well is Wapsi Square by Paul Taylor. Initially, his comics were haphazard and without an actual plot, but over time he has told a pretty intriguing story, and I find I can't wait to see where he takes his characters next.
It is really interesting to me to see these artists emerge and find their groove. I am glad that once they find their mojo they stick to what works - this is a process that thanks to the internet we as an audience are privy to. In the world of print, we wouldn't necessarily see these changes - by the time a comic artist gets into syndication, they have already refined their characters et al.
However, if you look at Diesel Sweeties, you can see what artistic consistency looks like as well. R Stevens is fantastic, hits just the right tone, and has maintained the same aesthetic for his characters since day one. He did actually make it into syndication as well, breaking barriers between online and print comics without self-publication (what I mean by this is, he has been syndicated in actual newspapers, rather than for sale in printed anthologies sold by the artist).
I used to love PVP, and I can still tolerate it to a certain degree if I put my horse-blinders on to Scott Kurtz's insipid commentary and overall sense of self-righteous bullshit. On more than one occasion I have seen him rant about something that most human beings would think was a waste of breath, and then recant after getting called on it, ad nauseum, stating that "oh no I meant it this other way that is more acceptable to the masses". I'd offer up some examples but it would pain me to have to go through his archived news; also I'm pretty sure he's erased evidence of most of those kinds of posts anyway. One example that comes to mind was when he ranted about how horrible it was that dude who does Ctrl-Alt-Del was going to be charging his viewers for the cartoon version of his comic. And then a while later, Kurtz attempts the same damned thing! Now I'm not about to go and defend Tim Buckley tooth and nail, because from anything I've read the guy is a bit of a prat too, but really, Kurtz shouldn't be calling the kettle black here. I realize that he is a human being, like the rest of us, prone to mistakes and change his mind like the rest of us, but he still just sets my teeth on edge. There is nothing he can do to fix that, and I am not about to demand he fix it.
Beware: Here there be a million links!
That being said: I would be remiss if I didn't mention Homestar Runner, even though technically it isn't an online comic, it is still a site I visit that consistently brings on the funny, as well as reinvents itself over time. They actually poke fun at online webcomics in a Strong Bad Email. What I love is that while most people who watch and love it are addicted to Strong Bad & Co, I find the quiet perseverance of Homestar's hilarity is what draws me back time and again.
Strong Bad's emails are arguably the most popular feature of the site, most especially the one featuring Trogdor. (Even Strong Bad reinvents the way he answers email by continually "upgrading" his machines to similar older model computers and laptops and "newer" printers.)
The Burninator aside, I find that the funniest StrongBad Emails are the ones featuring Homestar Runner. I am also tickled by the sbemail spinoff, Teen Girl Squad. The origins of that would be found here.
Ok that's enough for now I think.